Issue 25 Preview: Burning Down the Waffle House, by Danny Caine
The person at Waffle House
drops my card and starts crying.
She’s here alone until 2. It’s 2.
Kind of hard to avoid the fact
that I am part of the problem.
Issue 25 Preview: Dear Reader (Holy Shit We’re 20 Years Old)
A few more beers in, we talk rejection, the places we’re sending our stories, how it doesn’t seem like there are many outlets where the editors might be having these same conversations about pop culture and writing, how the whole landscape just doesn’t seem like much fun at all. Hey, one of us says, too many beers in now: What if we started our own literary magazine?
Issue 25 Preview: My Fingers, by Meiko Ko
One summer, I started explaining myself. There was no reason for it, or if there was, I couldn’t clarify it even to myself. It could have been the lack of talking in the previous summers, all leading up to the taciturnity of winters, the dry mouths and moody colds. Then again, talking wasn’t the same as explaining.
Issue 25 Preview: The Australian Job, by Steve Himmer
My career as an international bank robber was brief and unprofitable but at least I never got caught. After three decades I’ve stopped watching for INTERPOL over my shoulder.
Barrelhouse Reviews: I Am Never Leaving Williamsburg by C.M. Green
As Catholics, the Church is our house, everything from the hearth to the lock to the floor we stand on. When we leave, we build ourselves new homes, log by back-breaking log.
New Online Issue: Baby, One More Time
Our latest online issue is a themed issue that explores what happens when parenting intersects with famous musicians. Entirely fictional, of course. Edited by Hannah Grieco.
Barrelhouse Reviews: Gifted by Suzumi Suzuki
Something endures: the hot-white center, the teeth and bones of it all. This is what Gifted speaks obliquely around, comfortably nestled in the concrete, mundane details of the everyday.
Barrelhouse Reviews: Brown Women Have Everything by Sayantani Dasgupta
What distinguishes Dasgupta from other essayists is her capacity to balance joyous and vibrant moments with a sense of discomfort.
Barrelhouse Reviews: Overstaying by Ariane Koch
Nothing here has value except her own doubled-down commitment to it—there’s a kind of nobility in deciding to hold onto the nothing that you have.
Barrelhouse Reviews: Stranger by Emily Hunt
What Hunt reveals is the strangeness of other people, and the way their agonies and compulsions are other to themselves, propelling them.
Barrelhouse Reviews: Chipped by José Vadi
How do we define the public? What activities should be allowed in public spaces? Who counts as the local community?
Barrelhouse Reviews: Failure to Comply by [sarah] Cavar
Failure To Comply is a manifesto of trans resilience, of choosing to live in an ungoverned body.
You Are Barrelhousing With Philly Conference Craft Workshop Leader Jackie Domenus
2nd person POV often gets a bad rep from writers. I think it’s important for CNF writers to challenge their assumptions in order to experiment and to explore what effect a different POV can have on their work when it’s used in a purposeful way. In this workshop, we’ll dig into some possibilities of why folks are uncomfortable with it and then we’ll explore 5 different ways to authentically and intentionally use 2nd person POV in CNF.
The Craft of Posing Naked on the Page: Barrelhousing with Philly Conference Craft Workshop Leader Paulette Perhach
To me, the vulnerability is a metric in essays in a way it is almost nowhere else. It’s a tension on the line in the story. When a vulnerable story is being read out loud to a room, nobody moves. Something is happening.
Sneak Preview: City of Dancing Gargoyles, by Tara Campbell
We’re thrilled to be bringing you a sneak preview of a weird and wonderful new novel from one of our own, Barrelhouse Fiction Editor Tara Campbell’s City of Dancing Gargoyles.
Barrelhouse Reviews: American Analects by Gary Young
In asking us to “believe in” clouds, this poem surrenders to both the changing nature of things and the instability of self, the ever-shifting interconnectedness of self with other.
Barrelhouse Reviews: Blood Lies: Race Trait(or) by Karla Brundage
With the finesse of a magician, Brundage unpacks, upends, and performs sleights of hand with words we have shoved into closets.
Barrelhouse Reviews: Another Word for Hunger by Heather Bartlett
The speaker doesn’t necessarily want her hunger, or maybe just doesn’t always feel comfortable always carrying it, stoking its fire.
Barrelhouse Reviews: The Hearing Test by Eliza Barry Callahan
As hearing tests and various attempts at treatment consume her life, the narrator seems removed from time, set apart from it.
Barrelhouse Reviews: Everywhere the Undrowned by Stephanie Clare Smith
When I finished, I felt I had been washed clean, that I had sloughed off something old and heavy.