Conversations & Connections: Practical Advice on Writing
April 18, 2026, American University, Washington, DC
Conversations and Connections is a one-day conference organized by Barrelhouse in person at American University in Washington, DC on April 18, 2026.
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What is Conversations and Connections?
Conversations and Connections is a one-day writer's conference that brings together writers, editors, and publishers in a friendly, supportive environment. The conference is organized by Barrelhouse magazine, and has been held for the past 15 years in Washington DC, Pittsburgh, and Philadelphia. The April 18 conference is our 29th Conversations and Connections. All proceeds go to participating small presses and literary magazines, and to Barrelhouse, a literary nonprofit organization.
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What do you get with your $95 registration fee?
For your registration fee, you get the full day conference, including the featured authors reading/QA, and 3 craft workshop/panel sessions, plus your choice of choice of 1 out of our 4 featured books. Through our “partner press program,” you’ll also be able to allocate $25 to one of our participating literary magazines or small presses, each of whom is offering a different incentive — a subscription, a book, a poster, something else— for your donation. More than half your registration fee goes directly to the participating literary magazines and small presses.
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Who should attend?
We strive to make Conversations and Connections truly practical and valuable for all writers. If you’re just getting started and trying to figure out how this all works and where your place might be in the literary community, we’re the conference for you. If you’ve published a fair amount of work and are l0oking to re-energize your writing practice, focus on specific elements of craft, and connect with editors, publishers, and other writers who are doing the same, we’re the conference for you. All are welcome and we really strive to focus on the second part of our title: practical advice on writing!
Sign up today!
For $95 you get the full day conference (3 craft workshops or panel discussions, and our featured author reading and QA), plus 1 featured book, 1 ticket for speed dating with editors, and more lit stuff from our partner presses. See you on April 18, 2026!
Location and Logistics and Information About The Day of the Conference
Address
Ward Circle Building, Kerwin Hall
3590 Nebraska Ave NW
Washington DC 20016
Google Map:
Click here to open the map in a new window
Parking and Directions and Other Logistics:
Parking, walking directions, food and coffee, and information about what to expect on the day of the conference is available on this Google document. We’ll continue to update this doc with relevant information as we get closer to the conference.
Timing:
Check-in will begin at 8:30 on the first level of Kirwin Hall
The conference will start at 9:00
At 5:00 we’ll wrap up with a post-conference reception and hang out
A full schedule is included below (scroll down)
Featured Books!
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februaries, by Michele Evans
Evans, the author of the poetry collection purl, returns with februaries—a chapbook of poems inspired by her participation in the National African American Read-In (AARI) founded by the Black Caucus of the National Council of Teachers of English (NCTE).
Chronicling and preserving the achievements and contributions of ancestors Harriet Tubman, Billie Holiday, Maya Angelou, and others, februaries, a museum constructed of poignant poems diverse in form, reminds readers: Black History is American History, and it should be “celebrated, appreciated, and narrated” well beyond the annual 28-day observance.
Poems. Yellow Arrow Publishing
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Frontier: A Memoir and a Ghost Story
"In open-hearted, gorgeous prose, Erica Stern makes meaning out of accident and luck, exploring medical history, religious ritual, and the ghostly multiverse that binds the two together. Vulnerable, wise, and truly a feat."
—Julia Fine, author of The Upstairs House
Memoir. Barrelhouse Books
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Aliens Attack! by Dave Housley
What would you do--really do--in an emergency of planetary proportions? How capable, ethical, and heroic would you be? In this novel about an alien invasion of earth, Housley smuggles uneasy questions like this into our brains with wry humor and cleverly intertwining narratives. Multiple perspectives from both sides of the invasion equation show us calamity from the perspectives of everyday people (and aliens) who are vulnerable, fallible, and feel refreshingly real, reflecting ourselves back to ourselves.
— Tara Campbell, author of City of Dancing Gargoyles and TreeVolution
Fiction. Mason Jar Press
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Litany of Saints: A Triptych, by Diana Rojas
“Three stories offer an intriguing look into the lives of Costa Rican characters—Ticos—as they deal with their roles in their families and society. Rojas weaves expertly between distinct stories and families, creating a network of Costa Rican experience that is equally loving and critical. She shows her readers that no homeland is perfect—not even ‘paradise.’ An engrossing debut that sees both the good and bad sides of Costa Rica.”—Kirkus Reviews
Fiction. Arte Publico Press
What Our Attendees Say
General Schedule
All times are U.S. eastern standard time:
9:00: Welcome
9:30 — 10:30: Session 1 panel discussions and craft workshops
10:45 — 11:45: Session 2 panel discussions and craft workshops
12:00 — 2:00: Speed dating with editors; online Write-In; Lunch
2:15 — 3:45: Featured author readings and QA
4:00 — 5:00 Session 3 panel discussions and craft workshops
5:00: Post conference reception
Sessions
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Item description
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When aspiring and emerging writers take their first steps in the publication journey, they often feel overwhelmed by the sheer number of possibilities and choices before them. New journals and magazines appear constantly, shining with good intentions and hopes for a bright future. Yet the reality of many literary publications is that they are underfunded and understaffed, often operating entirely on a volunteer basis. Contests, on the other hand, might lead to publishing contracts, but they come with substantial submission fees that might discourage new writers. While the promise of publication can be tempting, writers at the beginning of their careers may feel confused and unsure about where to send their work. Is it better to start small and build a foundation of publications in lesser-known journals before aiming for more prestigious ones, or is it better to dream big from the very beginning? And what are “the big ones,” anyway? How can writers recognize reputable journals and contests within the vast landscape of publications across the country and beyond? And even after compiling a list of journals where writers would be proud to see their work published, they must still confront the daunting task of submitting, keeping track of deadlines and submission fees, word counts, and each magazine’s specific guidelines. In this workshop, we will offer practical guidance for navigating the often confusing path toward publication. Our goal is for attendees to leave feeling more comfortable moving through the seemingly endless array of submission opportunities, and more confident in their own submission process. We will provide a “submission toolkit” designed to support writers from the moment they decide they are ready to send their work out, through organizing their portfolio, and ultimately developing an efficient, sustainable submission plan.
WORKSHOP. PUBLISHING, WRITING LIFE
Rachele Salvini is an Italian woman based in the US. She spent most of her life in Italy, and she writes both in English and Italian. Her chapbook "Oklahoma Bestiary" was the runner-up for the 2023 Quarterly West Chapbook Award and came out in early 2025. Her work in English has been published in Prairie Schooner, Moon City Review, and others, and she published three novels in Italy (No Big Deal, 2024, Pelli, 2025, and Shittysburg, 2025). She currently lives in Kansas, where she's the Director of Writing at Ottawa University, and she earned her PhD in Creative Writing at Oklahoma State University.
Lauren E. Osborn currently lives and writes in Gettysburg, Pennsylvania, where she serves as the 2025 Emerging Writer Lecturer at Gettysburg College. Her fiction and nonfiction can be read in The Los Angeles Review, The North American Review, The Adroit, Redivider, DIAGRAM, and elsewhere. She's a graduate of the MFA program at Queen's University of Charlotte and holds a Ph.D. from Oklahoma State University. Her favorite childhood stories are "The Hungry Hungry Caterpillar" by Eric Carle, "Where the Wild Things Are" by Maurice Sendak, and the folk tales told in the dark to scare children away from the woods in Mississippi, where she was born and calls home. Her debut short story collection, 'Entomology of the Pin-Up Girl' won the 2024 Dzanc Books Short Story Collection Prize and is forthcoming in May, 2026. -
Where we live and grow shapes our voice, our characters, and our stories. In this craft-centered session, place becomes more than setting — it becomes a source of narrative tension, emotional texture, and character development. Drawing on examples from contemporary Appalachian writing and her own work rooted in rural Appalachia, Aurora Bonner guides participants through practical techniques for making place dynamic on the page. Writers will explore how to use sensory detail, tone, and cultural context to anchor their work in a vivid sense of place without lapsing into description alone. Through discussion and brief generative exercises, participants will examine how landscapes interact with identity and memory to reveal deeper meaning and propel narrative forward.
PROSE. CRAFT WORKSHOP
9:30 to 10:30 session
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We get it: Your muse has been busy watching the same old Park and Recreation marathons on Netflix since early 2020 and we don't blame them. It's so hard to get motivated to draft new material when you're dealing with (waves hands around at all of the everything) the ughs. That's why we're going to trick your brain into coaxing out stories and poems even when it just doesn't wanna. You've got this. In this session, authors will come with blank notebooks and the desire to make something new, and in the end, they'll leave with at least two new "starts" and a recipe for how to do the thing the next hundred times you are staring at a blank page and have no idea how to start.
WRITING LIFE. CRAFT WORKSHOP
9:30 to 10:30 session
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In an “abecedarian,” an essay or book-length work has consecutive sentences, paragraphs, or sections that lead with the consecutive letters of the alphabet—you’re literally telling your story from A to Z. This form is a great option for those whose story lacks a conventional structure or arc, and also makes space for riffing on pop culture. Participants will experiment with designing their own abecedarian structures for personal essays during the workshop.
NONFICTION. CRAFT WORKSHOP
9:30 to 10:30 session
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Your favorite poets probably capture your attention not only through a sense of intimacy, with you, the reader, but also because their poems contain a kind of sensibility that is unmistakable across poems and collections. Of course, we want to create this sense not only in our individual poems, but across our poems. In this session, you’ll map out your own poetic universe, details and particularities that will be at the heart of your style and sensibility, sustaining your unique voice across poems. You’ll walk out with a personal taxonomy that can serve as a repository you can dip into as you create across poems. From a series of exercises, you begin to see your poems as stars in a larger constellation, helping you see where your poems have been, are going, and what they could be in the future.
POETRY. CRAFT WORKSHOP.
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Item description
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This craft workshop will demonstrate spreadsheet structure in stories and the role of revision. From beat sheets to heroine journey models to world building, you will learn how to create your own maps for the stories you want to tell.
PROSE. CRAFT WORKSHOP
10:45 to 11:45
Melissa Scholes Young is the author of the award-winning novels, Flood and The Hive. She received the Shelf Unbound Best Book Award in 2021 and the Next Generation Indie Book Award in 2023. She’s published two chapbooks, “Scrap Metal Baby” and “Guinea Pig.” She serves as editor of Grit & Gravity, Grace in Darkness, Furious Gravity, and Grace in Love, anthologies by D.C. women writers. Her essays have appeared in The Atlantic, Ms., The Washington Post, Poets & Writers, Literary Hub, Joyland, and Believer Magazine. She’s received fellowships and grants from the Maryland State Arts Council, Bread Loaf Writers’ Conference, Carmargo Foundation, Mellon Foundation and Virginia Center for Creative Arts. A first generation college student from Hannibal, Mo., she is professor in the Literature Department of American University and in the Creative Writing Division at the University of Kentucky.
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Are you a poet who has always dreamed of writing a novel? A fiction writer ready to take a stab at memoir? In this workshop, we'll explore how hybrid writing can be a way to stretch creative muscles and test the waters of new genres and forms. We'll look at examples of poems and flash that erase the lines between genres, as well as book-length projects that stem from cross-genre experiments.
CROSS-GENRE. CRAFT WORKSHOP.
Sarah Carson is the author of three full-length poetry collections, including How to Baptize a Child in Flint, Michigan (2022), winner of the 2021 Lexi Rudnitsky Editor’s Choice Award from Persea Books. Her poetry, fiction, and essays have appeared in The Rumpus, The Slowdown, Guernica, Brevity, and Wigleaf's Top 50 Short Fictions.
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In this panel, four recently-published DC-area authors will discuss the inspirations, obstacles, and lessons gleaned on their writing journeys, and perspectives as writers who all debuted after 40 and beyond. The event will include brief readings, a conversation around the writing life, and ample time for audience questions and discussion.
WRITING LIFE. PUBLISHING. PANEL DISCUSSION
10:45 to 11:45 session
Panel: Dine Watson, Elizabeth Bruce, Tom Navratil, Lauren Woods
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Writing book reviews builds writerly credentials, expands networks, and creates relationships with editors, as well as provides a vital service to the writing community. In this session, engage in active literary citizenship and learn how to plan, write, and pitch a book review to help the literary ecosystem thrive!
PUBLISHING. WRITING LIFE.
10:45 to 11:45 session
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What can the songs of legendary singer-songwriter Dolly Parton teach us about writing, craft, and perspectives in poetry? In this in-person workshop, LET ME SAY THIS: A DOLLY PARTON POETRY ANTHOLOGY editor Dustin Brookshire will guide participants through exploring the discography and cultural impact of Dolly Parton. We’ll use this as inspiration for writing new poems via thematic prompts.
POETRY. CRAFT WORKSHOP.
10:45 to 11:45 session
Dustin Brookshire’s (he/him) debut poetry full-length, For All Of Us Faggots, is forthcoming from Iron Oaks Editions in March 2027. He is the author of five chapbooks: Repeat As Needed (Harbor Editions, 2025), Never Picked First For Playtime (Harbor Editions, 2023), Love Most Of You Too (Harbor Editions, 2021), To The One Who Raped Me (Sibling Rivalry Press, 2012), and Contoured (forthcoming from Lily Poetry), a collection of collaborative contoured villanelles written with Denise Duhamel, Beth Gylys, Kerry Trautman, and Donna Vorreyer. Dustin is co-editor of the Nautilus Silver Medal award-winning Let Me Say This: A Dolly Parton Poetry Anthology (Madville Publishing, 2023), which was also named to the 2024 “Books All Georgians Should Read” list by Georgia Center for the Book. He is the editor of the Lambda Literary Award finalist anthology When I Was Straight: A Tribute to Maureen Seaton (Harbor Editions, 2024), which received a Kirkus Reviews rating of “Get it." More at dustinbrookshire.com.
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This workshop explores how writers can responsibly and creatively write characters whose identities, cultures, experiences, or histories differ from their own. Rather than limiting imagination, writing “outside yourself” can deepen empathy, expand narrative range, and produce richer, more complex stories when done with care. The session will address common fears around authenticity, appropriation, and “getting it wrong.” Participants will learn practical strategies for building believable characters without relying on stereotypes or tokenism. This class is suitable for fiction writers, playwrights, and screenwriters.
4:00 to 5:00 session
CROSS-GENRE. CRAFT WORKSHOP
Tonya Todd is an author, actress, and screenwriter, invested in fair representation in the literary and cinematic worlds she inhabits. She has served as a black and queer sensitivity reader, submissions reader for BMI’s Witness Magazine, and DEI instructor for Women’s Fiction Writing Association. Her anti-censorship series Banned Books Conversations highlights a variety of restricted books to help preserve our right to read. She is co-editor and contributor for Comics Lit, Volume 1, author of 52 Love: Weekly Love Lessons in Bite-Sized Bits, and co-host of Femme On Podcast. Her forthcoming book, 52 Love: A Year of Romance – Volume One, a collection of short stories inspired by the first thirteen tips in the original, is now available for pre-order.
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In this no-holds-barred cage match, authors Hannah Grieco, Samuel Ashworth, Monica Prince, and Zach Powers will do the one thing most panelists try to avoid: fight about writing! Fueled by your most fiendish questions about craft, publishing, submitting, and, potentially, intimate personal issues, this “panel” is probably going to wind up in open anarchy, especially because the panelists know where Barrelhouse hides the boxed wine.
WRITING LIFE. PUBLISHING. PANEL DISCUSSION/CAGE MATCH
4:00 to 5:00 session
Panel: Sam Ashworth, Hannah Grieco, Monica Prince, Zach Powers
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In this workshop, we’ll talk about one of the most fun experimental forms of creative nonfiction: the hermit crab essay! These forms can be an effective way to approach sensitive topics with levity and wit. Your essay could take the form of anything, from a recipe or personal ad to a corporate memo or a weather report! Together, in this session we will:
talk about what they are and how they work
look at great examples of hermit crab essays
start thinking about how to create our own
If you’ve always been curious about experimental forms of creative nonfiction — or you just want a refresher! — this session will leave you inspired and ready to write.
NONFICTION. CRAFT WORKSHOP.
10:45 to 11:45 session
Rae Pagliarulo (she/her) has published poems, articles, flash, and essays with Short Reads, Cleaver Magazine, the Brevity Blog, and more. She is the co-editor of Getting to the Truth: The Craft and Practice of Creative Nonfiction (2021) and is currently at work on a memoir about her 100-year-old Philadelphia rowhome and all its ghosts. By day, Rae runs a consultancy called Ellipsis Strategies, helping nonprofits to achieve their missions through strategy and fundraising.
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The secret to "being a writer" might be unlocked for you in this practice, writing 100 word essays every single day and sharing them with your accountability partner. What is it? A poem? An essay? Flash fiction? A drabble? Who knows! Where do the ideas come from? We’ll help you unlock them. Once you have them, and remember after a year, that’s over 36,500 words, then you can look at them as a group and start to organize them into chapbooks or suites or collections or something bigger. We’ll introduce publishing opportunities as well. How long can you keep your streak going? You’ll never know till you start!
WRITING LIFE. CRAFT WORKSHOP
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This interactive presentation will explore generating poems from various media such as newspaper articles, news segments, and general research. It will dig into topics such as Finding the Character for each news piece, as well as a guided instruction for how to create poems from photos. This presentation will encourage audience participation and there will be time reserved for participants to write, as well as a Q and A session at the conclusion.
POETRY. CRAFT WORKSHOP
4:00 to 5:00 session
Lynne Schmidt (they/she) is the queer, disabled, neurodivergent grandchild of a Holocaust survivor, and a mental health professional with a focus in trauma and healing. They are the 2025 Maine Literary Arts Fellow, the first and third-place winner of the 2025 Books on the Bosque Contest, winner of the 2025 Mary Collar Memorial Award, 2025 Strong Point Of View Award, 2020 New Women's Voices Contest, and more. Lynne is the author of the chapbooks, Dying Dog Poems, The Unaccounted For Circles Of Hell, SexyTime, Dead Dog Poems, and Gravity. In 2012 they started the project, AbortionChat, which aims to lessen the stigma around abortion. When given the choice, Lynne prefers the company of her pack of animals to humans.
Literary Magazines and Small Presses
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A Baltimore-based micro-press that specializes in hand-bound chapbooks of a spacious/minimalist nature and is dedicated to publishing work that’s small, quiet, odd, easily-missed, and 100% needs to be read.
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ARTWIFE Magazine is a digital literary & arts magazine publishing short stories, essays, visual art, and video art. We host a monthly podcast on the craft of writing and the life of the artist, featuring interviews with published authors and contributors to our magazine. Artists of all kinds are invited to join us for The ARTWIFE Creative Hour, a free and virtual working session meeting every week.
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Autofocus Literary is a publisher of artful autobiographical writing in any form: personal essay, memoir, confessional poetry, journals & diaries, letters & e-mails, bits & pieces of each of these, and other work that makes art from your life. We publish a book imprint, an online journal, and a podcast. The imprint, Autofocus Books, specializes in work that fits, and occasionally stretches, the boundaries of our interest in literary autobiography. We launched in early 2022 and currently publish six to eight books a year.
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The Baltimore Review, founded in 1996, is a literary journal publishing the poems, short stories, and creative nonfiction of writers from across the U.S. and beyond.
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Barrelhouse is a literary organization that puts out a print magazine, runs a small press, organizes the writers conference Conversations & Connections, the retreat Writer Camp, and online Write-Ins, and publishes reviews, interviews, and issues online.
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Gargoyle magazine was founded in 1976 by Russell Cox, Richard Peabody, and Paul Pasquarella. By 1977, Peabody was the only member of the original triumvirate left. He ran the mag until 1990 with several co-editors through the years, most notably Gretchen Johnsen (1979-1986) and Peggy Pfeiffer (1988-1990). Based in the Washington, D.C., metro area, Gargoyle was dedicated to printing work by unknown poets and fiction writers, as well as seeking out the overlooked or neglected. The magazine archive is housed in the Special Collections at George Washington University’s Gelman Library in DC (some back issues are still available to the public as well—read on). The mag was on something of an extended hiatus as of 1990 and resurfaced in 1997.
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Hippocampus Magazine is an exclusively online publication set out to entertain, educate and engage writers and readers of creative nonfiction. Each issue features memoir excerpts, personal essays, reviews, interviews and craft articles.
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In Short: A Journal of Flash Nonfiction is an independent literary magazine for short-form creative nonfiction. We publish flash nonfiction of 1,000 words or fewer, micros of 400 words or fewer, and short-shorts of 100 words or fewer.
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Kestrel’s mission is to explore the human condition and to share a vision of the human experience with readers in West Virginia, Appalachia, the United States, and abroad, and to bring together contributors and audiences for Kestrel Celebrations that foster appreciation for and inquiry into the humanities.
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Neon Hemlock is a Washington, DC-based small press publishing speculative fiction, rad zines and queer chapbooks, and the flash fiction magazine Baffling. Our books have won the Nebula, World Fantasy, Ignyte, Locus, and Shirley Jackson Awards, among others. We've been known to punctuate our catalogue with oracle decks, occult ephemera and literary candles. Publishers Weekly once called us “the apex of queer speculative fiction publishing” and we’re still beaming. Find us online: www.neonhemlock.com
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The Offing is an online literary magazine publishing creative writing in all genres and art in all media.
The Offing publishes work that challenges, experiments, provokes — work that pushes literary and artistic forms and conventions.
The Offing is a place for new and emerging writers to test their voices, and for established writers to test their limits. -
Poet Lore: America's oldest poetry magazine, publishing in print since 1889, Poet Lore is a biannual journal of poetry, featuring the finest in contemporary writing. Each issue features a curated folio of work from a select guest editor alongside poems from our general selections. We champion innovative and experimental poetic forms, from prose sequences to poems that utilize negative space on the page, and feature poems that broaden the spectrum of what poetry is and can be.
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Riot in Your Throat is an independent poetry press publishing fierce, feminist poetry.
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Santa Fe Writer’s Project was founded in 1998 by Andrew Gifford and is dedicated to artistic preservation, recognizing exciting new authors, and bringing out of print work back to the shelves through an eclectic catalog of fiction and creative nonfiction, an online quarterly journal, and an annual Awards Program that has been judged by writers such as Benjamin Percy, Emily St. John Mandel, Jayne Anne Phillips, Robert Olen Butler, and many others. Find out more at www.sfwp.com.
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Stanchion is an independent quarterly print literary magazine and book press founded in the suburbs of Philadelphia during the tumultuous summer of 2020 by editor-in-chief and one-man band, Jeff Bogle. The magazine is printed on thick uncoated A5 paper and features short stories, flash fiction, CNF, poetry, one-act plays, drawings, collage art, and black & white photography.
Stanchion is an inclusive space, a paying publication and press with no fees, and is a safe home for diverse voices from around the globe.
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Troublemaker Firestarter is an international LGBTQ+ and feminist magazine and publishing press. They have circulated books in Canada, England, Northern Ireland, Ireland, China, India, Australia, and Aotearoa.
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Washington Writers’ Publishing House is a non-profit, cooperative literary organization that has published over 100 volumes of poetry since 1975 as well as fiction and nonfiction. The press sponsors three annual competitions for writers living in DC, Maryland, and Virginia, and the winners of each category (one each in poetry, fiction, and creative nonfiction) comprise our annual slate. In 2021, WWPH launched an online literary journal, WWPH WRITES to expand our mission to further the creative work of writers in our region. In 2024, WWPH launched our biennial works in translation series. More about the Washington Writers' Publishing House at www.washingtonwriters.org
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Yellow Arrow Publishing is a Baltimore-based independent non-profit press that supports and inspires writers and artists identifying as women through publication and access to the literary arts. Women’s voices have historically been underrepresented in literature, and we aim to elevate those voices and stories through our programs and publications. Yellow Arrow publishes a biannual journal in print and PDF, an annual online journal celebrating Baltimore creatives, and multiple chapbooks each year; offers a rich and affordable program of online workshops; and holds readings and other special events in Baltimore and beyond. See the Yellow Arrow website and @yellowarrowpublishing on social media for more.
American University’s MFA in Creative Writing Program is our host for the conference.
For more than 30 years, writers have come to American University to develop their work and exchange ideas in the District’s only creative writing MFA program.
Our graduate workshops provide a rigorous yet supportive environment where students explore a range of approaches to the art and craft of fiction, nonfiction, and poetry. As an MFA student at American University, you are free to pursue a single genre or explore several. You will acquire a deeper understanding of your own work and hone your skills in a collaborative setting. This two-year, 36-credit-hour MFA program integrates writing, literary journalism, translation, and the study of literature to prepare students for a range of career possibilities. Write, give feedback, and receive guidance from a close-knit community of respectful peers and faculty.
In the MFA program, you'll find lawyers, military veterans, musicians, teachers, and business executives who are passionate about the written word. In addition to our prestigious Visiting Writers Series, our MFA program publishes Folio, a nationally recognized literary journal sponsored by the College of Arts and Sciences at American University in Washington, DC. Since 1984, we have published original creative work by both new and established authors. For more information, contact us at lit@american.edu.
Speed Dating With Editors is a 10 minute, 1-on-1 workshop with an editor
With your registration, you get one ticket to “Speed Dating with Editors,” a 10 minute, 1-on-1 meeting with a literary magazine or small press editor where you’ll receive direct feedback about your work.
What works best?
We’ve found that the following things work best: a flash story or essay, the first few pages of a longer story or essay, or a poem.
Paper!
It's easiest for the editors if they're reading paper, so please print out and bring along copies of whatever you intend to workshop
We’ll match you up.
The logistics and timing don’t allow for you to choose the editor you’d like to work with. We’ll make sure nonfiction work is read by nonfiction editors, poetry by poetry editors, etc, but the situation doesn't allow for everybody to choose their editor. You’ll be matched up with an editor by our volunteers.
