Three Poems, by Ashia Ajani

ALTERATION 

you either get wrinkly or you get fat 
and everybody in the Lucas family has a belly 
hot food and song undo this sadness 

101 smooth jazz plays 
we questioned this American Dream, stepped into the ash 
anyways. what else were we to do? we pledge allegiance 

to sweet potato pie and 
pints of gin. no old country, no motherland 
recognizes our bric a brac language

lean into this Love Supreme, rewrite the Friend who
fuses forgiveness to 
a trading post abandoned 

the thing about our men is that
they are always suffering, and they suffer and 
suffer and suffer just to produce something we can enjoy 

shouldn’t we be grateful? 
the spectators ooze their sighs, echoing paradise 
no limit to the floodwaters in all their drifting. 

every hand that touches 
this maddening lightening cannot be unchanged. 
how gladly I would go into that graveyard. 

WATER MEMORY  

the Colorado River- a gaping wound dividing 

space & time, 

whose porous underbelly 

now cracked, shattered sweat-less 


siphoned off, divided; 
no love towards 
whoever 
lives 
down
stream. forgotten 

histories of Puebloans, 
mythologized ecology severs 


ancestral claims of belonging. 

the Colorado River- desiccated still waters 
of an emerald hue

something like a stolen soul 

or a captive God

forever recalling the precipice of disaster 

what color will the water wars take? 


ABSTRACTION 

A dialect unknown to my ears, but locked away in my soul 
makes itself known every time your lips brush against my skin. 

There is you, and there is peace. There is something about brown 
eyes that make them unforgettable; something about brown skin 

that makes you think of home, and all of the treasures you have lost 
and the ones that must and should and will be reclaimed. 

In this bed we speak the idioms of Nahuatl and Oshun 
Our hearts unbridled by the burden of language 

making space for our tongues to engage in more urgent matters-
the only sounds that emerge cannot be uttered in good company 

My body gasping: I need you to love me a little louder 
I need you to love me with your hands 

I need you to love the parts this narrow white world 
cannot make room to comprehend. 

Our stories are caught between missionary church 
containing the wildness of our spirits; beat the native 

savages to cleanse the pure soul trapped under all that primitive lust 
our own internalized shame creeping from the belly of forgotten history

We are but products of our environments 
Here 

We are witnesses to our own abstraction. 
What pieces of art can be made from the entanglement of limbs? 

Let me show you how these hips move like watercolor; how my teeth 
shine like marble under an derobed sky, the eyes soften like fertile soil 

A part of me has walked this land before, has known its ridges 
and flaws without pause or remorse. 

Those who wish to murder the past 
ask that we wear our shadows lightly 

But the hell that rattles in our vocal cords demands attention 
Demands that we return home to the flesh coaxing our souls into soft bloom 

Tell me: what is more beautiful than a brown body 
in the aftershock of a climax?The earth’s motion ruptures every

time you dare utter your pleasure; 
Marvel at how it spills from your throat like sugarcane. 

Baby, our colonial pasts comfort each others trickle down 
legacies, our ancestral sorrow runs through our veins like sludge 

All we know is take is take is take 
But here we are! You and I, 

Folding back into the joy our forebears knew unapologetically 
And doesn’t it feel good to be loved like this? 

Before rejecting beauty, before despising the body
Before the binaries told us we couldn’t exist 

In kneading the folds 
In celebration of my nappy hair and your tall brown body 

Everytime our honeyed middles intertwined 
It is a big middle finger to the powers that want us to pretend 

We know nothing of the magic that lingers in our flesh 
every time our lips touch it is a song 

Calling back to homelands buried deep beneath the industrial concrete 
And can’t you hear the foundation shake? 

We, sites of both promise and ruin 
Can’t you hear Atabey weep tears of yucca and joy 

At our most glorious creation? 

Ashia Ajani is a Black storyteller hailing from Denver, CO, Queen City of the Plains and the unceded territory of the Ute, Cheyenne, Comanche and Arapahoe peoples. They smile with the sun, and glitter with the night. Check out their work at ashiaajani.com.

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Barrelhouse Reviews: What Falls Away is Always, Edited by Katharine Haake and Gail Wronsky

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Three Poems, by Dani Putney