Six Notes on Red & a Red Note on Six, by J.C. Rodriguez
Red’s whole thing is that life is fleeting & so is he. He lasts as long as Big Red gum, goes down like a shot of Fireball, & if you’re not paying attention – steals all your Altoids. He just wants to know how many mints he can bite before everything starts to burn.
Non-Playable Characters in Grand Theft Auto V, by Aleksia Silverman
I wear thigh-high boots and a skirt that doesn't cover my ass. You wear huge pants and a backward hat. Our faces are all angles—all cheekbone and chin. We are smooth and poreless, just like the ocean, like the road, like the bark of the palm trees. Our world is not one of textures.
The Greatest Sacrifice—August 31, 2021, by Anita Vijayakumar
Two seven-year-old girls—one Afghan, one American—entwine fingers at the crumbling runway in Kabul, the only city in their memories. The American’s passport—a navy book embossed with a gold eagle and sunflower crown—is tucked in her father’s suit beside his foreign diplomat papers.
From the editor
"New Beginnings" instantly became an act of experimentation and exploration within the minds of all the writers who responded to the call. Whether through video games, family ties (both knotted and/or severed), rules and regulations. Each of the selected stories found new ways to define what a new beginning may encompass, may destroy, may mean for their unsuspecting characters.
Beauty Pageant of Earth Orientation Packet, by Sage Tyrtle
Dear Newborn Baby Girl #3,979,258,451:
Congratulations! You are officially registered for the Beauty Pageant of Earth!
This is an exciting time for you, as you learn how to breathe air and intake nutrients, and guess what? You’ve also already been ranked. *\(^o^)/* Only one billion girls are ranked above you, and you’re only a few minutes old!
Tropicana Women, by Salonee Verma
The story of your birth is a Persaud family fable. The Persauds are storytellers and cooks, so everyone tells it differently. Mumma adds salt, Nani twists the words dry, Bua clips feathers to the letters and tries to set them free.
American Mall, Abandoned, by Senna Xiang
Suppose we are 17 again and we are chasing our childhood. We spend twenty minutes illegally cramming five of us into one car while our reckless friend helms our journey towards jean jackets and the greasy booths of the mall food court. The first time we did this, we stayed silent so our friend wouldn’t crash on the highway. The last time we do this, we are silent because there is nothing left for us to talk about.
All That We Lost, by Joshua Jones Lofflin
It started with nothing. A whiff of ozone, a burnt electric smell. But there were no fires; the sky stayed cloudless; the reports of planes plummeting to earth didn’t happen, though we all looked upward like we did years before when there was an eclipse. Then, each of us snuck glances toward the darkening sky. Now, we tilted our heads back, scanned the emptiness, and laughed.
Two Poems, by Kyle Brosnihan
To kill a nightingale. To play with
its dead body. Flap its dead wings.
To throw a dead nightingale and
watch it fly through the air like
a stone. To juggle dead nightingales.
noir portrait, by Lisa Cantwell
i tried to sketch the moon from memory
last night but came up short tried to capture
the nuanced dark basalt in graphite
Three Poems, by Ojo Taiye
I am a descendant of trees and birds.
To be kind is to tell the stories of falling
embers. This morning I walk into the land again,
so, eerie now, burnt and blackened, deadened by
flame and ash. Just like the others, I think of moon-
scapes, places where nothing can survive.
A Good Woman, by Hailey Danielle
When I tell this story, I start by saying: I’m not the victim. I say this less because I believe that that it is true and more to beat the listener to the punch. We are rarely the villain in our own stories; we may place ourselves somewhere in between villain and victim. I made a bad choice and I got hurt. I deserved it, many would say. Sometimes I think that I deserve pain, deserve to be treated poorly, but I only have these thoughts on bad days.
summer, electric, by Gemma Singh
Did we ever cook together?
No.
You would have procured the produce with your quick, efficient movements, exchanging a smile and a few words with the local grocer at the checkout counter. And she would remember you, her broad-shouldered, sharp-jawed regular.
Sefa, by Amy Savage
Sefa was twenty-one, svelte and petite, with deep round eyes, a long nose, thin lips, and big teeth—a perfect Disney mouse love-interest type. An urban planning student at Complutense, Sefa had grown up near Ventas and riding shotgun in her father’s taxi. Before the last weekend of the semester, she told me she knew Madrid “intimately,” and reached across the table. Sefa placed her hand on my hand, her fingertips on my knuckles, dipping down between them before rising again. I had never even held a girl’s hand.
The Shredder, by Matt Rowan
Everyone who worked there enjoyed the work they did, for the most part. It was a graphics interface firm. They specialized in the interfacing of graphics, which usually was more than enough explanation for anyone outside the firm who inquired about what happened within it.
Teething, by Kimberly Rooney
The morning after the first nightmare, Hannah assured me it was a good sign. “Teeth falling out in dreams means you’re on a path of rebirth.”
I've Been Living in the Upside Down Since Before Living in the Upside Down Wasn't Cool, by Dave Housley
Oh you're all back now, huh. Cool. Cool cool cool. There's room enough for everybody so come on in, stretch out, make yourself at home. I've been here for awhile, of course, since the Upside Down wasn't cool, since before we could all spell Demogorgon, when it was just funny dice and banana seats, brown bag lunches and nostalgia movies and red baseball hats. I've been eating pop rocks and drinking soda, slushing it all around in my mouth and forcing it down, hitting refresh and retweet and trying not to rub at the membranes while this foliage grows around me, all over, up my thighs and my fingers and and into my belly.
Grief as a Comforting Rerun of Deep Impact, by Amy Miller
I love the way Téa Leoni chugs
that martini—shaky, the news
she knows is bad and now believes.