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Dial Tones, by Lauren Saxon

My dad’s dad never told him that he loved him. Never out loud. God, that’s so fucked up / I know. My brother and I are debriefing after dinner, in the hotel room that we share. Not even when he was dying? / I guess not. That image makes me so sad.

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Corpse Mom Discovers the 10-Step Korean Skincare Routine, by Hema Nataraju

Corpse Mom has discovered the best thing in life after her death. With her new evening ritual-- the 10-step Korean skincare routine, she’s entered a delightful new universe. How lovely it is to be dead, she thinks, to not have to worry about school nights, prepping lunchboxes, answering work emails, or having ‘married-for-donkey’s-years’ sex with her husband.

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From the editor

"New Beginnings" instantly became an act of experimentation and exploration within the minds of all the writers who responded to the call. Whether through video games, family ties (both knotted and/or severed), rules and regulations. Each of the selected stories found new ways to define what a new beginning may encompass, may destroy, may mean for their unsuspecting characters.

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Beauty Pageant of Earth Orientation Packet, by Sage Tyrtle

Dear Newborn Baby Girl #3,979,258,451:

Congratulations! You are officially registered for the Beauty Pageant of Earth!

This is an exciting time for you, as you learn how to breathe air and intake nutrients, and guess what? You’ve also already been ranked. *\(^o^)/* Only one billion girls are ranked above you, and you’re only a few minutes old!

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Tropicana Women, by Salonee Verma

The story of your birth is a Persaud family fable. The Persauds are storytellers and cooks, so everyone tells it differently. Mumma adds salt, Nani twists the words dry, Bua clips feathers to the letters and tries to set them free.

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American Mall, Abandoned, by Senna Xiang

Suppose we are 17 again and we are chasing our childhood. We spend twenty minutes illegally cramming five of us into one car while our reckless friend helms our journey towards jean jackets and the greasy booths of the mall food court. The first time we did this, we stayed silent so our friend wouldn’t crash on the highway. The last time we do this, we are silent because there is nothing left for us to talk about.

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All That We Lost, by Joshua Jones Lofflin

It started with nothing. A whiff of ozone, a burnt electric smell. But there were no fires; the sky stayed cloudless; the reports of planes plummeting to earth didn’t happen, though we all looked upward like we did years before when there was an eclipse. Then, each of us snuck glances toward the darkening sky. Now, we tilted our heads back, scanned the emptiness, and laughed.

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Three Poems, by Ojo Taiye

I am a descendant of trees and birds.

To be kind is to tell the stories of falling

embers. This morning I walk into the land again,

so, eerie now, burnt and blackened, deadened by

flame and ash. Just like the others, I think of moon-

scapes, places where nothing can survive.

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A Good Woman, by Hailey Danielle

When I tell this story, I start by saying: I’m not the victim. I say this less because I believe that that it is true and more to beat the listener to the punch. We are rarely the villain in our own stories; we may place ourselves somewhere in between villain and victim. I made a bad choice and I got hurt. I deserved it, many would say. Sometimes I think that I deserve pain, deserve to be treated poorly, but I only have these thoughts on bad days.

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summer, electric, by Gemma Singh

Did we ever cook together?

No.

You would have procured the produce with your quick, efficient movements, exchanging a smile and a few words with the local grocer at the checkout counter. And she would remember you, her broad-shouldered, sharp-jawed regular.

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Sefa, by Amy Savage

Sefa was twenty-one, svelte and petite, with deep round eyes, a long nose, thin lips, and big teeth—a perfect Disney mouse love-interest type. An urban planning student at Complutense, Sefa had grown up near Ventas and riding shotgun in her father’s taxi. Before the last weekend of the semester, she told me she knew Madrid “intimately,” and reached across the table. Sefa placed her hand on my hand, her fingertips on my knuckles, dipping down between them before rising again. I had never even held a girl’s hand.

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The Shredder, by Matt Rowan

Everyone who worked there enjoyed the work they did, for the most part. It was a graphics interface firm. They specialized in the interfacing of graphics, which usually was more than enough explanation for anyone outside the firm who inquired about what happened within it.

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